All About You...Katharine Hawthrone

This week we are going to take a look back at one of the choreographer/performance artists that participated in the August 13th performance evening at SooVAC:

1. What is your first art related childhood memory?
Creative movement classes at the local community center – my parents say I took dancing much more seriously than other children. I also used to dance in my driveway a lot, to the great amusement of our neighbors.

2. As an artist, who is your biggest influence?
My biggest influence/inspiration is the body in motion and physical concepts from the natural world. I use my background and training in physics to explore and conceptualize the world around me, which I enact through motion.

3. What did you listen to while creating this piece?
Christopher Jette (the composer) and I listened to a lot of Roy Orbison while making SoundLines, the piece we presented at SooVAC. The piece itself uses a wide range of sounds, from drones to granular synthesis. I often choreograph material in silence and later adapt it to the sound score.

4. Name three unexpected items one would find in your studio.
Radio & radio transmitter, headlamp, a bag of fresh fruit

5. What is your least favorite famous work of art?
I’ve never really enjoyed Mozart – I’ve always felt like I was missing something with respect to his compositions, it sounds like elevator music to me.

6. What art do you have hanging on your walls?
I love maps, strange things with stories, and Americana. In my apartment we currently have a STOP sign repurposed as a coffee table, antlers, car license plates, and topographical maps.

7. What are you working on now?
In early 2011 I created a piece called Lumen, in which the performers wear and control a small light source. Right now I am working on creating a partner work to Lumen, called Lux, to further explore light as a spatial and movement element. Both works are part of my larger investigation with how to integrate technology into performance. I’m fascinated by how to take a technical element that is normally external to movement performance (light) and deeply embed it into the performer’s interactions.

8. What will the title of your retrospective at BAM be?
Techné (the ancient root word of technology)

Thanks Katharine!

For more about Hawthorne's performance at SooVAC visit HERE.
For more about her work visit HERE.